Short and Sweet: Tips for Newer Playwrights, by Anonymous

An award-winning Seattle playwright whose work has been produced throughout the US, Canada, and the UK (and who prefers to remain anonymous) has some smart leads for newer playwrights. Ready? Take a deep breath and plunge in!

Join the Dramatists Guild, and attend local meetings. The group meets every other month and is having a panel discussion on play readings on May 19. No need to be a member to attend. Four area producers will speak about how play readings work, how to get involved, and how to produce them yourself. The Seattle theater scene is small in comparison to the giants, and the Dramatists Guild meetings are a great place to get hooked in.

If you're on Facebook, there's a group called "The Official Playwrights of Facebook". There's a couple of crazy people, but ignoring them, it is a great resource. And if those short plays you have are ready to go, one of my favorite sites is Play Submission Helper. Once a month, they put out a spreadsheet with all of the theaters who are looking for scripts (it's an $8 a month subscription, but totally worth it). You submit your script to the theaters and if they like it, they produce it. It is how almost all of my plays get done. The general rule of thumb is to avoid opportunities that charge a production fee (the playwright shouldn't pay a producer/theater unless the playwright is self-producing.) Also, a good site for submission opportunities is playwright Aurin Squires’s monthly blog, and the Dramatists Guild’s listings.

Another great resource is the BBC Writers Room. They have a page with all of the writing formats, as well as a ton of helpful writing videos so you can figure out what your script should look like before you send it out. And be sure to check out information on playwrights’ rights and submission best practices.

Seattle doesn't have playwright training programs as such. A class or two will pop up every now and again, such as the weekend intensive offered by the Salon in November. The good news is that the Salon may be offering more classes in 2020. And Salvo, “a tiny studio for dramatic art”, the brainchild of Rebecca Tourino Collingswood, offers classes. But don’t let the paucity of local training programs stop you!

Explore the world of on-line classes at the Dramatists Guild Institute, and occasional writing workshop weekend intensives in cities throughout the country. Attend Dramatists Guild conferences, offered every other year or so in interesting cities, read voraciously (I love Working on a New Play by Edward Cohen), see tons of excellent local theatre (our theatre scene is SO good!), and form or join a playwrights’ group. The Salon has a writer’s group now, and is keeping a waiting list for the next group. Write to the Salon’s Managing Director Ashley Arai at seattleplaywrightssalon@gmail.com, to get on the list.

Got it? Now go for it!